It is a violin ... A lively piano ... Jung Kyung Hwa & Cho Jin-jin duo concert

It is a violin ... A lively piano ... Jung Kyung Hwa & Cho Jin-jin duo concert

 

Tolerable charismatic Zheng

Imagination rich purity Zhao

The age difference is 46 years old.

Show me the classic.

 

Two people who finished the last performance

Impressive

 

What is classical? Imaichi Domonobu, a global oriental aesthetist, wrote in his book, "The Dante New Song Lecture," that when Rome was faced with a national crisis, a sign that could be used to donate two or three warships for the country, classis). It is argued that human beings are called "classical" because of their spiritual power when they are in an internal crisis. Jung Kyung-hwa & Cho Jin-joo duo concert held at the Seoul Arts Center Concert Hall at 8 pm on December 12 was a stage where nods were nod to Imamichi's theory.

 

The presence of the two performers standing side by side at the age of 46 was really great. Particularly in Schumann's Violin Sonata No. 1, he seemed to be in a deep valley. The beautiful melody did not spread poetically, but it floated endlessly and fell into despair. Franck Violin Sonata 1st movement. Just as it depicts absolute beauty, after the gigantic performance of sadness, the piano began to sing as if it were a story. Two Virtuoso reveal a deep, hot inner, which, like the wars of Rome, provided an impression of this era.

 

There is a way of admiring the splendid technique, but there is also a way of appreciating the depth of the original tone. Jung Kyung-hwa has emphasized the accuracy of the technique and the physical training to compare the performer to the athlete. In recent years, he has humiliated himself in recognizing his insensitive self as compared to his youth. However, the ever-changing, tall, full-length tone remained alive. Experienced stage experience and charisma as a performer became even more brilliant by having a tolerance that was not seen in the past. Her shoulders shone with a sense of euphoria and euphoria.

 

It is a sense of transparency to find out the characteristics of Cho Sung-jin's music that he met in the Korean stage in recent years. It shows perfect technique, but there is no way to artificially expose or force emotion. It is not a sterile performance, but a pure and intuitive approach. It is lively and imaginative without contemplation. The piano of Cho Jin-hyeon, which supports the overwhelming presence of chung kyung-hwa on this day, was also excellent. I did not miss the rhythm and the momentary moments of the moment. Above all, I could find the unexpected aspect of the Bach violin and the Fugue D forged BWV903, which I heard alone. I was expecting a new repertoire to be released in the future with a bold and creative play that reminds me of Glenn Gould.

 

The concert was the last day of the Jung Kyung Hwa and Cho Sung Jin duo tour through Gyeonggi, Gyeongnam and Jeonnam. The last moment of the Frank Violin Sonata, Jung Kyung Hwa sat down on the piano chair as if he had poured everything. The appearance of the two people back to the back was impressive. For the fans who filled the audience, Jung Kyung-hwa held the hand of Cho Jin-jin, a shy person, and gave thanks to all around the stage. Angkor is Chopin's Nocturne 20, Elgar 'Greeting of Love' and Debussy 'Moonlight', played by Cho Jin-jin. It is a bit rough, but I would like to preserve the arpeggios played by Cho Jin-jin in a museum. So that you can visit whenever you need comfort.