믿음이 필요해 - saint(聖人 성인)

Yoon restaurant, resort, restaurant, when 'Kukpo' meets

Nathan Seo PD blew up again. This time it is cable channel tvN Friday entertainment 'Yoon Restaurant'. It started with an audience rating of 6.2%, followed by an average of 11.2% in four times and a maximum of 14.7% in moments. Including terrestrial broadcasting, it has the highest audience rating of all time zones.

He made KBS '' 1 Night 2 Days '' as a national arts, and then transferred to tvN. He became a hit with TVN as a succession of 'More than Flowers' series and 'Shishi Sekisui'. I was worried that the rise of PD could be a turning point because the "Honeymoon Diary" that was announced just before was not expected. So this 'Yoon Restaurant' attracted more attention and opened the cover is a home run. Na Young Seok Myth has not been turned off.

The characteristic of the PD works is that every time a plan is announced, it is boring. It is a reaction to the fact that 'I am a child'. This is because similar settings are always repeated. It is a setting to go away from Seoul and go to a distant place and to watch or eat rice. However, when the broadcasting started, the audience rating was exploded, so the word 'Nyeongseok's magic' came up.

Rationally, I am worried because I am worried because I am worried and I am worried about it because it is a 'bamboo item', but if I am looking at the screen, I fall into emotion without knowing myself. So it is magic. It is another feature of my PD works that there is no fun in general arts. Without a game or a mission, it only shows performers who eat, eat and watch in the landscape. It is also magic that people get sucked because they do not have fun.

I PD's work is slow. It is the opposite of the rhythm of a big city that has to run into a loser or go crazy. Originally, we were the ones who played the pace to achieve the miracle of the Han River, but we had to spur it after the foreign exchange crisis. In order to become a winner of infinite competition, the self-enlightenment books ran sparingly as taught. Now my chest ran up to my chin. The word "exhaustion syndrome" came out and the word that was unfamiliar like panic disorder came to the limit mentally enough to feel like a daily word.

People wanted to relax. I wanted to get out of the big city, the battlefield of death or living. The work of the PD and I was in this age. It is also exquisite on Friday night, when the magic of PD is unfolding. It is time to take a rest after a week of war. There is no power to enjoy 'cheonggum', so it is spreading without any thought at home, and at that moment I want to have a play of slowness and relaxation.

In addition, 'Yoon Restaurant' is equipped with a new code that sells rice. It is set to open a Bulgogi restaurant in an Indonesian resort. 'Those who quit, where they can live in a quiet place where they can afford to live.' People who are willing to melt in an exotic and leisurely atmosphere of overseas resorts. It is the plan which solves the mind of such a public image.

Another one, "kukpon" seasoning was added. It is a kind of patriotic code. We are very interested in foreigners' gaze. Most of the guests are Westerners because they have a restaurant at an overseas resort. Admiration for Korean food while they ate bulgogi and Korean ramen was an event that would heighten the interest of Koreans. The works conveyed their conversations in detail, and the highest audience ratings were shot by Westerners inhaling ramen. Healing magic, resort restaurant romance, and 'kukpon' seasoning, the audience rating was exploded in the early stage.

'Legend of the Rock' solitary sex minority ... Heal the world back in time

(5) Queen of 'Bohemian Rhapsody'

'Lead Singer' Freddie Mercury

Childhood Living alone in India

I feel a sense of loneliness and deprivation

Announced in 1975 'Bohemian ... '

Challenging experiment with opera

Million sellers after 1st place in 9 weeks

In the movie 'Live ... 'Performance scene

Directed by dynamic camera work

Like the actual stage,

It is unexpected. Who would have guessed that a movie about the story of a British rock band would renew all the scores of previous musical films? It is marvelous. It is a completely different pattern than the blockbuster, where the box office ranks low every time a new film is released, and the cycle of returning to the top again, bringing in millions of people within a week or two and gradually moving away from the top.

So, "Bohemian Rhapsody" (director Brian Singer) syndrome is a phenomenon and not a symptom. The need for contemporary audiences, the future of the theater, and the direction of music production. You went too far ahead? Maybe. But it is clear that the Bohemian Rhapsody fever, which lasted more than 30 days since its release, is still in progress.

◇ Easy-to-use scenarios

Despite the full expectation that Queen's films would stimulate the nostalgia of the elderly, it was because of the somewhat obvious development of the "Bohemian Rhapsody" that it had not been able to capture such a big hit in the first place. It was a clever choice to put the 'Live Aid' performance at the beginning and end. But it is leaning on the other cliches. For example, Freddy the Mercury have just dismantled a band member of 'Smile', members and away from the case while to find an event or Freddie solo album that just one team and then sang an impromptu singing in front of Brian May and Roger Taylor et dramatic fun But it is nothing but an episode that reveals its rudeness.

Especially, from the crisis of queen disintegration which can be called the biggest outward conflict in the movie, Freddie's mind apologizes to the members, and the process of standing on the stage of Live Aid reminds me of 1980's melodrama like the time background. It is a scene where Mary who goes to Munich informs about the Live Aid performance and disappears immediately after asking for a performance, and Freddie is fired in a pouring rain immediately after that, and the manager is fired. While preparing for the performance, I feel that the setting of proclaiming to the member that I am an AIDS patient is also excessive, and the conversation like "Freddie, you are a legend" and "we are legend" is a scene and a fence.

Bohemian Rhapsody is not as sophisticated in general because Freddie's own way of communicating his illness to his colleagues is similar to the way information is transmitted through dialogue. In the news that the Queen member was receiving a phone call from Mary and Freddie's family while he was receiving a phone call from EMI showing interest in Queen, he noticed that another member came in and immediately caught up with the US tour. This is the reason why surprises and joyful emotions are not fully captured in the scene. In this situation, the audience is deprived of the timing to exert tension.

Great movies are sleeping, delivering information as much as possible with images, music and sound effects, and finally using the dialogue. In such a case, "Bohemian Rhapsody" is noticeable.

◇ sympathy and mourning for Freddie Mercury

Therefore, the horsepower of 'Bohemian Rhapsody' is in Quinn's music. However, audiences express a lot of empathy and sympathy for the long lead singer Freddie Mercury. Therefore, it is necessary to examine how his special life has been shaped.

The film first shows Freddie, an internationally worshiping singer, in discriminating airport baggage workers. This is in addition to reborn as "Freddie Mercury" by abandoning his real name in Zanzibar as "Farok Bull Sarah". The end of the boldly castration of the past, where he eventually succeeds and reconciles with his father, provides a sort of catharsis. In fact, it seems that homosexuality, rather than trying to deny his racial roots, had an antipathy to the Passover culture and religion, which is regarded as a devil worship beyond sin. Freddie did not return home and he was not welcomed home afterwards, but the lyrics of his hit song "Seven Seas of Rhye," released in 1974, are based on fantasy stories made with his sister There is a lot of speculation that it was a song written in remembrance of a time at home.

The original loneliness, which is a striking artist and sexual minority, is also expressed in movies. Freddie has been sent to a boarding school in India at the age of seven and has spent his childhood alone. Even though she has been living with Mary, she continues to depend on her, and invites many people to open up a lively party, so that his loneliness is transmitted.

Here, too, confusion over gender identity is overlaid. It is true that Mary, who began as a lover and lived as a real wife for seven years, and remained a friend for life, said to him, "I am a gay." But he loved both women and men, because of the relationship even ve got to be more accurate shifting seeing as bisexual ( 'Freddie Mercury' Da Vinci Books) Anyway, what gyeolpipgam of FIG unfilled Freddie in, but multiple identities afraid suffered him It is also the impetus for queen to become the best band by adding passion and energy to him who is born of natural talent. Even if the audience has a different view of his private life, the artist who made the world happy at the end of the film has no choice but to die at the age of 45.

◇ 'Bohemian Rhapsody' and Live Aid

'Bohemian Rhapsody' is a single from Quinn's 1975 album 'A Night at the Opera', and Freddie Mercury is a bundle of three songs. At this time, when members were playing songs like crazy, Freddie made songs with opera parts in his wish. The ODA started with sweet acapella contains a piano, guitar, bass, drum opera appeared, and this majestic six minutes the song is not only received a great love to the public challenge jeokyigodo nature playful of the group called the Queen that the Hard Rock It is a good song.

Music was his debut at the time of the Queen's difficult to build one of the provisions geulraemrok various genres such as hard rock, progressive rock, for reasons that have firm style awarded the critics of the outer surface, it was just because Quinn was a music of their own. After the successful second album, the third album, 'Bohemian Rhapsody' was the song that reached the ultimate goal of creating Queen's identity.

The song was recorded in a very special way at the time, using 24 analog track machines to add multiple parts at once, thus creating the effects of Brian, Roger, Freddys, and 160 manic choirs. The name of Scaramouche, Galileo, Figaro, etc., non-LG Bob appeared in the lyrics are convincing in view of the iconic character naetneunde self a lot of questions, connected with the major or the nature of each of the four members since then.

▲ A scene where I meet my friend Mary for a lifetime.

Not only the record industry people, but Freddie's best friend Elton John, even Quinn's bassist John Deacon, expressed his concern, but this single came in first place in the UK for nine weeks and in January 1976, . In addition, Freddie Mercury was re-released after his death in 1991, and he was ranked first for five weeks. The title of the movie is 'Bohemian Rhapsody' among many of Queen's hits, because it is a song that has been loved over time.

This song was also the first song of the Live Aid performance, which the movie predicts from the first scene to the Provincial Government. The a cappella section is omitted, but as soon as the piano melody begins, the 70,000 crowd that filled the stadium are enthusiastic and start singing along. It's hard not to feel thrill in this scene, even if it's not a Queen's fan. In order to make the Live Aid performances more realistic and cinematic, the camera moves dynamically on the stage, catches the reaction of the crowd and inserts it in the middle. Thanks to Lamy Malek, who replicated Freddy Mercury's movements and facial expressions precisely, this god brings surprise and joy to the show at the Wembley Stadium on July 13, 1985, from various angles.

Queen's audience-engaging performances, leading to "Radio Ga Ga" and "We are the Champion", overwhelmed other controversial performers, and the film captured the atmosphere of the hot scene. Bob Geldof, who directed the show, recalls, "The whole world was the perfect stage for him."

Other performances in the movie are spectacular, but 15 minutes of Live Aid Shin has given a presence to special screenings such as Screen X and Screen MX, caused a boom in singling talks, spreading N-car viewing, Blowing. The diversification of distribution channels is a welcome addition to the theatrical industry, which is rigid. Just as the 'Rocky Horror Picture Show' (Jim Sherman, 1975) danced in the theater and mass-produced the enthusiastic singers, 'Bohemian Rhapsody' may become a permanent cultural content in some way.

In his lifetime, Freddie Mercury said in an interview. "I want people to think of me as someone who can sing well and perform well on stage. I hope that people will have a good time watching Quinn's performance and then return with a sigh of excitement. I want to be a pure escapism like going to a good movie. "('Freddie Mercury', Moojin Tree) This wind is completely done in 2018, just as it was in 1985.

一个想保守秘密的女人......一个男人试图保守秘密

■读者：读书的人

“读者：产生一本书来读是处理与他童年的故事，他曾经爱过一个女人，汉娜（凯特·温jeulrit）了解到，参与谋杀下执政的纳粹和律师迈克尔（雷夫松树），冲突犹太人。 Jugido看到，涵盖电影的罪孽沉重的法庭戏，当然几场神汉娜的印象，但不是关于爱情和恋人最终令人难忘的故事。

1958年柏林战争结束后。迈克尔（大卫克罗斯），一个猩红热的男孩，在路上失去了理智。三十多岁的汉娜正在回家，他先带迈克尔，在急救后将他送回家。迈克尔失去了整整三个月。女人在床上和他手抹judeon他们的肮脏的身体谁破坏了瘟疫，balhinda到他的悲伤，眼中充满心脏。有一天，当他恢复足够的能量离开他的床时，迈克尔带了一束鲜花去了汉娜的公寓。汉娜问她现在好不好。在汉娜穿上丝袜的腿上，迈克尔再次破灭，又开始发烧。第二次世界大战结束后，男人和女人坠入爱河，尽管只有一个诅咒和死者的细菌。

除了目前的电影，试验，所有都充满了迈克尔的回忆。确切地说，这是我与汉娜相爱的记忆。我不能忘记汉娜汉娜的腿回到了迈克尔的房间，发现他soknae即将面对对方裸体。汉娜领导迈克尔，但没有经验的迈克尔在裸汉娜之前就像一只野兽。我不能吞下汉娜的身体和体液。对于这样的迈克尔，汉娜小心翼翼地慢慢地教导呼吸，步伐和身体姿势。学校一吹响，迈克尔就赶紧去汉娜的房间品尝“成年人的快乐”。

有一天，当他和我相识时，迈克尔给汉娜读了一本我们在学校学到的书。从现在开始，汉娜正在等待更多时间阅读这本书，而不是与迈克尔发生性关系。在浴缸里和床上分享爱情，然后他们就读书了。男孩看书，女人呻吟。在男孩的年轻肉体中，在文学的狂喜中，女人抛出了自己。

像发烧一样，爱就像发烧一样结束。多年来，法学院学生迈克尔与一位曾在纳粹审判中曾经爱过的女人团聚。迈克尔杨是谁喜欢看酷与汉娜坐在惨败在座椅上，而他鄙视自己的罪aeteut声音，错过一个女人的身体是美丽的被告。

导演Stephen D'Altri是一位以戏剧性和音乐方向命名的导演。由于大多数的戏剧和音乐剧的大全“读者：阅读书籍那个家伙‘等，其前身’舞动人生“将共存情绪视力创建一个电影场面和舞台空间。 “读者：阅读书籍的人”反映了这些导演的历史。例如，汉娜和迈克尔之间的大多数遭遇发生在汉娜的公寓里，一个封闭的空间。在这个狭小的空间里，点燃的性爱或意见冲突只会传递给演员的情感力量，凝视和对话。在汉娜小户型也有忧郁的一个地方cheoyeonham性能量动态的混合物，因为迈克尔geudeuk的到来，但在同一时间害怕的男孩女孩的成长。

汉娜，她不知道她的生日，正在与汉娜进行一场艰苦的战斗。事实上，我想去找我要参加派对的朋友。汉娜给她洗澡帮助她。小心地将泡沫破灭的浴室局促的角落汉娜的触摸抹迈克尔相机的机身的边角无情的手印画告别的时刻到女人本能地检测。

这部电影是一部痛苦的电影，因为它让我想起太多的影像。更多的男人和女人生病的爱情结局本身，汉娜和迈克尔准备神的分离，是最后的事情特别是分享。在这个序列中，全呜咽汉娜永远不知道什么眼泪弹性cheoyeonham，因为ahryeonham，让你想放的灵魂仍在寻找梦想一扑的很长一段时间。

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一個想保守秘密的女人......一個男人試圖保守秘密

■讀者：讀書的人

“讀者：產生一本書來讀是處理與他童年的故事，他曾經愛過一個女人，漢娜（凱特·溫jeulrit）了解到，參與謀殺下執政的納粹和律師邁克爾（雷夫松樹），衝突猶太人。 Jugido看到，涵蓋電影的罪孽沉重的法庭戲，當然幾場神漢娜的印象，但不是關於愛情和戀人最終令人難忘的故事。

1958年柏林戰爭結束後。邁克爾（大衛克羅斯），一個猩紅熱的男孩，在路上失去了理智。三十多歲的漢娜正在回家，他先帶邁克爾，在急救後將他送回家。邁克爾失去了整整三個月。即使在床邊，擦拭他的髒兮兮的身體的女人的手也被他的悲傷的眼睛所感動。有一天，當他恢復足夠的能量離開他的床時，邁克爾帶了一束鮮花去了漢娜的公寓。漢娜問她現在好不好。在漢娜穿上絲襪的腿上，邁克爾再次破滅，又開始發燒。第二次世界大戰結束後，男人和女人墜入愛河，儘管只有一個詛咒和死者的細菌。

除了目前的電影，試驗，所有都充滿了邁克爾的回憶。確切地說，這是我與漢娜相愛的記憶。邁克爾因為無法忘記漢娜的腿而再次去公寓，漢娜知道了他的意圖，他很快就赤裸裸地面對面。漢娜領導邁克爾，但沒有經驗的邁克爾在裸漢娜之前就像一隻野獸。我不能吞下漢娜的身體和體液。對於這樣的邁克爾，漢娜小心翼翼地慢慢地教導呼吸，步伐和身體姿勢。學校一吹響，邁克爾就趕緊去漢娜的房間品嚐“成年人的快樂”。

有一天，當他和我相識時，邁克爾給漢娜讀了一本我們在學校學到的書。從現在開始，漢娜正在等待更多時間閱讀這本書，而不是與邁克爾發生性關係。在浴缸里和床上分享愛情，然後他們就讀書了。男孩看書，女人呻吟。在男孩的年輕肉體中，在文學的狂喜中，女人拋出了自己。

像發燒一樣，愛就像發燒一樣結束。多年來，法學院學生邁克爾與一位曾在納粹審判中曾經愛過的女人團聚。作為一個年輕人，邁克爾看著漢娜坐在被告的座位上，並且喜歡一個鄙視她罪孽之聲的女人的聲音，

導演Stephen D'Altri是一位以戲劇性和音樂方向命名的導演。由於大多數的戲劇和音樂劇的大全“讀者：閱讀書籍那個傢伙”等，其前身“舞動人生”將共存情緒視力創建一個電影場面和舞台空間。 “讀者：閱讀書籍的人”反映了這些導演的歷史。例如，漢娜和邁克爾之間的大多數遭遇發生在漢娜的公寓裡，一個封閉的空間。在這個狹小的空間裡，點燃的性愛或意見衝突只會傳遞給演員的情感力量，凝視和對話。在漢娜小戶型也有憂鬱的一個地方cheoyeonham性能量動態的混合物，因為邁克爾geudeuk的到來，但在同一時間害怕的男孩女孩的成長。

漢娜，她不知道她的生日，正在與漢娜進行一場艱苦的戰鬥。事實上，我想去找我要參加派對的朋友。漢娜給她洗澡幫助她。小心地將泡沫破滅的浴室局促的角落漢娜的觸摸抹邁克爾相機的機身的邊角無情的手印畫告別的時刻到女人本能地檢測。

這部電影是一部痛苦的電影，因為它讓我想起太多的影像。對於正統的上帝漢娜與她的最後一個共享，準備與邁克爾分手，而不是生病的愛情和男人和女人的結局，尤其如此。在這個序列中，全嗚咽漢娜永遠不知道什麼眼淚彈性cheoyeonham，因為ahryeonham，讓你想放的靈魂仍在尋找夢想一撲的很長一段時間。

It is a violin ... A lively piano ... Jung Kyung Hwa & Cho Jin-jin duo concert

Tolerable charismatic Zheng

Imagination rich purity Zhao

The age difference is 46 years old.

Show me the classic.

Two people who finished the last performance

Impressive

What is classical? Imaichi Domonobu, a global oriental aesthetist, wrote in his book, "The Dante New Song Lecture," that when Rome was faced with a national crisis, a sign that could be used to donate two or three warships for the country, classis). It is argued that human beings are called "classical" because of their spiritual power when they are in an internal crisis. Jung Kyung-hwa & Cho Jin-joo duo concert held at the Seoul Arts Center Concert Hall at 8 pm on December 12 was a stage where nods were nod to Imamichi's theory.

The presence of the two performers standing side by side at the age of 46 was really great. Particularly in Schumann's Violin Sonata No. 1, he seemed to be in a deep valley. The beautiful melody did not spread poetically, but it floated endlessly and fell into despair. Franck Violin Sonata 1st movement. Just as it depicts absolute beauty, after the gigantic performance of sadness, the piano began to sing as if it were a story. Two Virtuoso reveal a deep, hot inner, which, like the wars of Rome, provided an impression of this era.

There is a way of admiring the splendid technique, but there is also a way of appreciating the depth of the original tone. Jung Kyung-hwa has emphasized the accuracy of the technique and the physical training to compare the performer to the athlete. In recent years, he has humiliated himself in recognizing his insensitive self as compared to his youth. However, the ever-changing, tall, full-length tone remained alive. Experienced stage experience and charisma as a performer became even more brilliant by having a tolerance that was not seen in the past. Her shoulders shone with a sense of euphoria and euphoria.

It is a sense of transparency to find out the characteristics of Cho Sung-jin's music that he met in the Korean stage in recent years. It shows perfect technique, but there is no way to artificially expose or force emotion. It is not a sterile performance, but a pure and intuitive approach. It is lively and imaginative without contemplation. The piano of Cho Jin-hyeon, which supports the overwhelming presence of chung kyung-hwa on this day, was also excellent. I did not miss the rhythm and the momentary moments of the moment. Above all, I could find the unexpected aspect of the Bach violin and the Fugue D forged BWV903, which I heard alone. I was expecting a new repertoire to be released in the future with a bold and creative play that reminds me of Glenn Gould.

The concert was the last day of the Jung Kyung Hwa and Cho Sung Jin duo tour through Gyeonggi, Gyeongnam and Jeonnam. The last moment of the Frank Violin Sonata, Jung Kyung Hwa sat down on the piano chair as if he had poured everything. The appearance of the two people back to the back was impressive. For the fans who filled the audience, Jung Kyung-hwa held the hand of Cho Jin-jin, a shy person, and gave thanks to all around the stage. Angkor is Chopin's Nocturne 20, Elgar 'Greeting of Love' and Debussy 'Moonlight', played by Cho Jin-jin. It is a bit rough, but I would like to preserve the arpeggios played by Cho Jin-jin in a museum. So that you can visit whenever you need comfort.

Whisper, why evil is sincere ... There was a reason.

SBS monthly whisper 'whisper' surprises the audience rating 1 time of the same time. It is the work of Park Kyung-soo, who wrote 'The Tracker', 'The Golden Empire', and 'Punch'. Recently, there have been many works dealing with the corruption-victorious group, focusing on the law world. Especially, it was the story of a former attorney and a lawyer who had been broadcast just before the whisperer and the defendant was in jeopardy against the chaebol, the prosecution, and the lawyer giant alliance. In 'whisper', the former veteran lawyer and the former detective meet the giant vested interests alliance. There was a reaction that I was infertile because of similar settings. That 's why the whispering propaganda is unexpected.

Park 's previous works were all heavy, so I could guess the atmosphere of' whisper '. As a result of opening the lid, it is also heavy. It is not a work that can be seen lightly like KBS 2TV 'Kim president'. It seemed that the public wanted a light story like "Kim Sang-jang" because serious atmosphere followed since Choi Sun-sil, So the classics were expected, and the initial response was not just that good.

But the word was spreading and the atmosphere was reversed steadily. It was unfamiliar at the beginning, but as each character was understood to some extent and the conflict composition was settled, the power of the story that the viewers were dragged into the force majeure was exerted.

At the center is a conflict between figures. I met with the main characters Dong-joon (Lee Sang-yoon) and Shin Young-joo (Lee Bo-young) from the enemy branch, and confront each other with the desire of the chief lawyers and chaebol and each child to the chief justice. It was difficult to understand this composition, but once the setting was finished, the suction force exploded.

The source of explosive energy is 'sympathy' after all. The disturbance of our system, the vested system, was expressed by Park in an excellent way. In this work, a large law firm is referred to as a "lawyer", or a thief who uses the law. The money was raised and used by chaebols who had joined the military regime. The law firm now has an influence on the society, including the general affairs and the presidential office of the presidential office, and tries to suck up former high-ranking officials as torture to become self-reliant. Law firms and chaebols are engaged in a power struggle, but when two people who do not comply with this system appear, they both hold back. The common people are simply helpless before the power they wield in the name of the law. The audience shared this unfavorable setting.

'Whisper' lurks the world with vivid ambassadors. "Is the trial a skill? "" The law is not to keep it, but to use it now. It is a satire of our republic in which the fairness of the law does not work as an ambassador like, "Why did not you know that it was easy to say that the people who eat, eat, eat, eat, Among these ambassadors, the most popular topic at the beginning was "evil is sincere".

Why is evil sober? It is for self-interest, and it must hide it. It is also because of our constitution. In the feudal society, nobles have enjoyed the privilege on their own, but there are many things that need to be taken care of for the privilege where the constitution is called democratic republic. There is also a lot to hide. One practitioner, one handbook, should be managed faithfully. In the republic, because of the rule of law, a strong man enjoys the privilege of enforcing the law.

'Diva' Whitney, if you had a bodyguard to protect your life ... - ③ 'Whitney's Whitney Houston

A dark shadow behind a brilliant spotlight

Interpretation of natural voice, rhythm and music

Pop Queen for 10 years after his debut

The Super Bowl

Global success in film 'Bodyguard'

20th Century Most Sales Movie OST

A big supporter of self-esteem

Childhood sexual harassment, such as 'trauma'

The burden of being as heavy as wealth and honor

Some lines "white music imitation" blame

Known as 'drug addiction' in the early 2000s

Behind the boastful public criticism

The age of the world at the age of 48 in 2012

Sugar, a member of the Bulgarian Boy Scouts who are gathering around the world on a world tour, recently said in an interview with Time magazine, "I hope someday we can play in the Super Bowl." He meant a halftime show during the break, but the US national performance, which announces the start of the Super Bowl, is also the only order in which the best singers are invited. There was a man who made this a legendary performance, the first singer called 'diva', Whitney Houston. The Star-Spangled Banner, which he sang in 1991, became one of his hit songs, and afterwards the national performance of Super Bowl became a place to express the message of freedom and equality.

◇ Whitney Houston and "Whitney"

He has sold 25 million copies of his debut album, 200 million copies of cumulative worldwide record sales, won six Grammy Awards, topped Billboard single charts for seven consecutive years, and ranked first on the Billboard single chart for 14 weeks. The most awarded female musician in the world.

The way to quantify "popularity" is somewhat trivial in some ways, but no one will undervalue the records that follow Whitney Houston. Without doubt, his debut album "Whitney Houston" was his era for more than a decade since 1985. Though Mariah Carey made her first album debut in 1990, the media liked making the two rivals, but Whitney Houston, who made her debut five years earlier, already had a wide fan base and had a light as a diva at any stage I did not lose. He used a magnificent melancholy (melisma) to produce a variety of genres of music, from ballads to dances. Though many juniors have imitated his method since then, the intuitive rhythm and clear, deep and strong voice itself are simply innate, so a vocalist comparable to him does not come to mind. Whitney Houston, who has a talent as an entertainer as well as a singing voice, has worked as a model before his debut as a singer. The film 'Bodyguard', which starred in the cast, has also been a huge success and has also participated in several films as a producer. In the 2000s, he made several albums and continued his activities, but the burden of being as heavy as his wealth and honor led him to the world at the age of forty-eight, luring him to drug addiction.

Whitney, directed by Kevin McDonald, is a documentary devoted to the life of a man, from the exceptional childhood of Whitney Houston who grew up surrounded by singers such as moms, aunts and cousins, to splendid success, slump, and the morning of his death. Whitney Houston 's growth and contemporary political and social issues, while the juxtaposition of the edifice, but in chronological order are arranged in order to distinguish the existing documentary is not noticeable. However, I can feel that the ball is a lot of work in a frank interview with a huge amount of data screen and aides. Especially in the latter half of his life, his experience of victimization of childhood sexual abuse has shocked him. It makes his loneliness and early death more harsh than he would have been alone in a big stage, hiding traumatized trauma. Whitney Houston is a tragic piece of joy that meets the live stage like the gem of life and sorrow of the process that lost him.

◇ Whitney Houston and Super Bowl performances

Whitney emphasizes the comfort and pride that Whitney Houston has with his innate talents and his presence on the American black community. The unparalleled success of black women in the white-centric popular music scene, and even the entertainment market, has been a great hope for blacks in a difficult environment. However, from the beginning of his debut, he attacked him with "Not black enough" and refused to release his music on a black radio station. The nickname "Whitey Houston" also comes from accusing him of following white music. It was the time when British influential music magazine 'NME' was saying that hip hop was the authentic and future of the black music world (Bob Stanley, 'Modern Pop Story'). But in the history of pop, when white people imitated and absorbed the music of African Americans and eventually created their own sheep, Whitney Houston's moves were natural and, above all, I could not stop his success, or the symptom of his symptoms.

In 1991, Whitney Houston 's US nation was enthusiastically cheered over races, but his existing three - quarters of the songs were arranged for four - fourths of the time, often used in gospel, blues, and other black music, The addition of the space for the interpretation was effective. A month before the end of the Gulf War, he stood in front of the crowd in a lightweight sportswear with a headband. He emphasized the meaning by treating the word "free" in high pitch with a falsetto. Recalling that the lyrics of the United States were extremely militant, and that some of the violence in history was directed against the Negroes, his performance was enough to patriot the American people. Despite the controversy of lip-syncing, the song was released two months later as a single and became popular again, and re-released after the September 11, 2001 attacks. The two-minute performance by Whitney Houston later gave the Super Bowl a bigger impression: in the case of the Super Bowl in 2017, the players were kneeling on one knee as a sign of resistance to racial discrimination, There were also incidents that made President Trump's planting uncomfortable. "Whitney" puts Whitney Houston in the running of the Super Bowl national performance in the run-time, and then puts in public interviews to prove American love for him at the time.

◇ 'Bodyguard' and South Africa performance

'Bodyguard' (director Mick Jackson 1992) was a movie that made Whitney Houston a global star beyond the US. "I Will Always Love You", one of the best movie songs ever heard, is ringing all around the globe, and the bodyguard's OST is the best-selling movie of the 20th century It is recorded as a sound track. Whitney, in an interview with Kevin Costner, a counterpart in this section, reveals that Whitney Houston has played a role that was allowed only for white actresses in Hollywood history. Whitney is a famous entertainer who hired Costner as a bodyguard and has the advantage of a male social position like a female protagonist of a screwball comedy of the 1930s, and is more active and honest in the relationship between men and women. Particularly in the last scene, the black female character, who is romantically completing his romance with a man who loves to stop the plane, made a strong impression. Whitney Houston's performance and criticism of the film itself, but easily fade into the popularity of OST.

It is not a coincidence that Whitney Houston became the first major artist to perform in South Africa after Nelson Mandela won the election and the racist policy was abolished. In November 1994, in Johannesburg, he sang in a golden dress with African traditional costumes, breathing with numerous audiences, literally like a queen. The enormous performance at Ellis Park tells us that he has become a social figure who has the power to comfort and impress the world, and that was not possible with voice or singing skills.

◇ Mourning and memory

So recalling the downfall and death of Whitney Houston is not easy for anyone who has been singing along with his song in the 1980s and 1990s. He was a roll model of many people, his music is a piece of our youth, and it is a mise-en-scene that can not be separated from memories of precious memories. But in the early 2000s, the fact that Whitney Houston was drugged back to him after he was released was, in fact, not a comforting solution, but a cool boast and blame. The media completely caressed him, forgetting the joy he had given to the public for a long time. Whitney deals with this period as well as his success. In the second half of the film, which shows that the disagreements with the family such as husband, daughter, father, trauma of childhood, and popularity have made him hard, there is deep compassion. An anecdote of more than 2,000 people gathered at a prayer meeting for him in a New York Baptist church was also to show that the public, especially the black community, had a particular attachment to the end.

But despite such a desperate prayer, on February 11, 2012, Whitney Houston relocates to his heavenly home. Instead of blaming his death for his own weakness or the inability of others, the film ends with the mourning and acceptance of the fate of an artist who had a brilliant talent. The juxtaposition of funeral scenes where hundreds of crowds saw his last road and the TV show debut scene that sang "Home", the singing twenty-year-old Whitney Houston, was an excellent choice. Over time, we have two themes to remember and talk about Whitney Houston, his talent and love for him. The world is still full of oppression and violence, but like the words of 'home', someday "a peaceful and joyful world"

'Platonic friendship between men and women can not be maintained'.

■ When Harry meets Sally

Ironically, when the movie "Harry meets Sally" (1989), a film about a sexless man and woman, "Fake Orgasm", in which a heroine twists all over the body in a restaurant in broad daylight, . The plot of this movie is stodgy. A man and a woman who have been friends have finally fallen in love, making it a hundred years, is a cliché that has been borrowed and repeated in many romantic comedies. Nonetheless, this film is as clever and witty as the scriptures.

Sally (Meg Ryan) is a friend of Harry (Billy Crystal). Sally and Harry, who live in Chicago, USA, start a new business in New York at about the same time. Sally's car will go to New York together, and the two people who have just started will be tortured in a matter of hours. Sally, a macho, insensitive Harry, and a delicate and emotional Sally, fight every time in a bad basket. The two of them, in particular, set a bell on the ridiculous subject of "Can men and women maintain a friendship with the platonic", and attach all the discourses of the world to dissent (dissociate) and favor (Sally).

As soon as he arrives in New York, Harry and Sally go their own way without looking back. Even after that, if you just face it, it will spread to a fight. It is like a stitch that we want to get rid of each other, but it is also a fateful encounter that we encounter constantly at the airport, shop in corner of New York. One day after five years, the two people accidentally meet at a Manhattan bookstore and move to a cafe. This scene is quite amusing for me to sit on an old table for the first time and to have a conversation without fighting about each other's affairs and affairs. Harry is divorced, and Sally is in a state of insecurity because of a broken love day, so the 'enemy' beyond the cup of coffee is like a stingray with half a hundred years.

Harry and Sally share their everyday lives, but the rule to keep friendship between men and women is barely maintained. Every time the heart beats, they look at the distant mountain and turn out the heart of the fire. Two people who have gone to a famous restaurant are routinely engaged in sex work for both sexes. Sally argues that even if a woman plays an orgasm at bedtime, the man will not notice, and Harry is always the opposite. Sally, who is not happy with Harry's coloring, refines his expression and says, "Oh!" "Yes!" As Sally's elasticity spreads into the dining room, every customer's gaze goes to Sally. Sally 's orgasmic smile, with his eyes closed and his lips banging up and heading for the climax, persuades the stray Harry and his restaurant guests. A lady who watched Sally said, "I will eat what she eats," said Ambassador, one of the 100 American movies and 100 great American films selected by the American Film Institute.

Did Harry shake his mind at Sally 's orgasm. The two narrow the streets of the mind and body in a different day. On the last day of the year, they finally get a job. Harry rushes over to Sally 's apartment, wailing over the phone, saying that his ex - girlfriend is married. A kiss that tries to soothe Sally, who has been torn by tears, leads to two, three, and eventually the taboo kept for many years. Embarrassed by his own desire, Harry is briefly intervened before Sally wakes up, but promises to be a companion of each other even before the first day of the New Year is over. Every scene is overflowing with feelings and ambiguity, but it always conveys a pleasant feeling with the literary sentences and youthful humor that make up the conversation of the two. Of course, the backbone of the movie is the actors. Meg Ryan and Billy Crystal, who have filled the running time of 96 minutes nicely with sex jokes through the 1980s, have become a star in this film, and now, thirty years into the film, It became a conscious consciousness.

Transparent playing without fla ... Unique in the repertoire

Seoul's incense and pianist Kim Tae-hyung

The pianist Kim Tae-hyeong seems to be in a unique position in the Russian repertoire. The first song of Seoul Chamber Music Series (last 24, Sejong Cultural Center Chamber Hall) was Rachmaninov's "triple trio of elegance". From the first theme of a simple but bitter atmosphere consisting of four notes, Kim Tae-hyung revealed a sense of weight and rich emotions. It seemed to surpass the same line in the recent record (Deutsche Grammophon) of the Russian pianist Danil Trinov. The dimly lit first glows in an unconventional flow and manner, and it was Kim Tae-hyung who sat in front of the piano to take care of the point carefully whenever the violin and cello were stretched in unquenchable way. The perfection of the craftsmanship, which was evenly polished, made the performer's efforts harder.

And Kim Tae-hyeong seems to have reached a new level in chamber music performance. The second piece is the piano quintet of 20th century Russian composer Nikolai Matner, less familiar than Rachmaninoff and Tchaikovsky. It is a song with an unusual charm that makes you feel the atmosphere of Russia in the classical composition that reminds you of Schumann or Brahms. As a composer himself was a great pianist, he designed the piano part to lead the four stringed instruments. This is a clear performance by Kim Tae Hyung. The concise pedaling and the restrained touch reveal the conviction of a pianist playing chamber music.

Kim Tae - hyeong has been frequently invited to perform in the chamber music of Russian composers in Korea. Kim Tae-hyeong, who studied with the Russian pianist Elisovir Salaje at the National University of Music in Munich, moved his nest to the Moscow Tchaikovsky Conservatory afterwards, and then returned to Munich to study chamber music. Kim Tae Hyung, who learned the music of Russian descent tightly while living a 'German' life in Munich, set up Trio Gaion in 2013 to pursue musical growth. He has been concentrating on creating harmonious music with the violinist Lee Ji-hye of the Bayern Radio Symphony Orchestra and cellist Samuel Lutzker. The calm and dense growth of young performers is evidenced not only by this Korean performance, but also by Trio Gion, who won second prize in the Melbourne Chamber Music Competition last July, as well as audiences and contemporary music.

Lastly, he taught Tchaikovsky's string quintet, 'Florence's memories', for the Seoul Metropolitan Government's Im Jung, Kim Duk-woo (violin), Kang Yun-ji, Kim Seong-eun (viola) and Kim So Yeon. It is an energetic and rhythmic song that can taste the 'sacred sacrament of the prefecture', but it is a hitch that requires a close and precise ensemble of six violin, viola and cello violinists. Even though it was not a regular Chamber Orchestra, the performance of this day left many regrets. From the first motif of the first movement to the fiercely moving, it creaked and distracted every time the fast passages were repeated. There was no problem with the performance of each of the performers, but it seemed that more rehearsals were needed to give a sharply cluttered melody. However, it is difficult to conclude that the performance of the day is a failure. The passionate aura that was poured over the stage throughout the performance was a success in revealing the brilliant morning of Florence where Tchaikovsky was inspired.

The audience immersed in the breeze with six performers for 35 minutes enjoyed the joyous finale. I participated in applause spreading in the audience and I felt the beauty of chamber music.

被告，收视率，

SBS Moonwon'被告'以最高评级结束了其最高评级28.3％（尼尔森韩国国家标准）。这部剧在第一次播出后从未赶到比赛，并跑到了同一时区的第一名。然而，在整个播出期间，互联网受到的批评要多于致敬。这是“红薯”戏剧的罪魁祸首。当你吃红薯而不喝水时，红薯就像一个有趣的词。即使这样的指责正在涌现，我也没有错过最佳位置。

这项工作是关于这样一个事实，即现任检察官撰写谋杀他的妻子和孩子并成为监狱刑期，揭示了过去的秘密，并最终抓住了罪犯。这基本上是黑暗的，由于担心主要和中间背景单调，主要是因为监狱，所以期望很低。

播出后，关注的结果是真实的。重复这个过程，主角进入了惩罚室并出来了。由于主角患有健忘症，这项工作在不知道真相的情况下，对“一次性记忆”的原则几乎没有任何线索。这是一个神秘的场景，观众通过主角接近真相，但这个过程太令人沮丧而且不那么详细。一个精神病患者恶棍杀死他的双胞胎兄弟并假装成他的兄弟的故事是不太可能的。突然间，一个财阀二号参与了交通事故。它是世界上最糟糕的红薯之一。但观众热烈欢呼。一旦演员吉星扮演女主角，就会说“如果它是智慧”，它触动了观众的心。为了怀念他的妻子去熔体aedalpeum，它说，激烈的表达愤怒之情，等来了jingchi guharyeoneun ganjeolham，挫折和eongseongham极的能量邪恶的女儿。这就是为什么“智能”这个词很可能的原因。它充满了表演的情感方面。情报中也有绰号'Jisos（情报+方法）'。该方法是一种在游戏中扮演角色的方法，而Robert De Niro，Al Pacino和Malon Brando都是着名的方法学习者。在韩国，Kim Myung Min和其他人被称赞是最好的表演者，而智力也来到了这个级别。

大都市区最近的情况可能影响了观众的同理心。如今，“被审判者”和“被操纵的城市”等电影与被告的放映一起被放映。不公正的人的故事出现了。每个人都不公平。难以忽视，但只活了强制相对剥夺感，不信任是一个庞大的系统无助，可以影响国家权力转移到了“自己的联赛”闭门造车。这使他们对主角感到情绪化和沮丧，经过漫长而漫长的过程，他们终于等待了起飞的那一刻的兴奋。

而红薯也在收视率方面发挥了积极作用。像这项工作一样，专注于解决这个案例被称为流派，但强硬而精确的流派受到称赞，但收视率应该是好的。 “被告”的类型很慢，家庭代码等情感设置不是理性发展，而是能够吸引熟悉周末戏剧呼吸的普通观众。尽管主角是检察官，但由于愤怒的癫痫发作和发烧，他已经发脾气。换句话说，尽管是甘薯，但它并不成功，但它成功了，因为它是一个可怜的甘薯。

被告，收視率，

SBS Moonwon'被告'以最高評級結束了其最高評級28.3％（尼爾森韓國國家標準）。這部劇在第一次播出後從未趕到比賽，並跑到了同一時區的第一名。然而，在整個播出期間，互聯網受到的批評要多於致敬。這是“紅薯”戲劇的罪魁禍首。當你吃紅薯而不喝水時，紅薯就像一個有趣的詞。即使這樣的指責正在湧現，我也沒有錯過最佳位置。

這項工作是由被告寫的故事殺害了他的妻子和孩子都譴責測試電流，balhimyeo過去的秘密，一個接一個，並最終抓住jinbeom。這基本上是黑暗的，由於擔心主要和中間背景單調，主要是因為監獄，所以期望很低。

播出後，關注的結果是真實的。重複這個過程，主角進入了懲罰室並出來了。由於主角患有健忘症，這項工作在不知道真相的情況下，對“一次性記憶”的原則幾乎沒有任何線索。這是一個神秘的場景，觀眾通過主角接近真相，但這個過程太令人沮喪而且不那麼詳細。一個精神病患者惡棍殺死他的雙胞胎兄弟並假裝成他的兄弟的故事是不太可能的。突然間，一個財閥二號參與了交通事故。它是世界上最糟糕的紅薯之一。但觀眾熱烈歡呼。一旦演員吉星扮演女主角，就會說“如果它是智慧”，它觸動了觀眾的心。為了懷念他的妻子去熔體aedalpeum，它說，激烈的表達憤怒之情，等來了jingchi guharyeoneun ganjeolham，挫折和eongseongham極的能量邪惡的女兒。這就是為什麼“智能”這個詞很可能的原因。它充滿了表演的情感方面。情報中也有綽號'Jisos（情報+方法）'。該方法是一種在遊戲中扮演角色的方法，而Robert De Niro，Al Pacino和Malon Brando都是著名的方法學習者。在韓國，Kim Myung Min和其他人被稱讚是最好的表演者，而智力也來到了這個級別。

大都市區最近的情況可能影響了觀眾的同理心。如今，“被審判者”和“被操縱的城市”等電影與被告的放映一起被放映。不公正的人的故事出現了。每個人都不公平。難以忽視，但只活了強制相對剝奪感，不信任是一個龐大的系統無助，可以影響國家權力轉移到了“自己的聯賽”閉門造車。這些東西是令人沮喪和不公平的性格和同情感情，經過漫長的等待tongkwaeham漫長的過程終於起飛了被告的時刻。

而紅薯也在收視率方面發揮了積極作用。就像這片被稱為jangreumul著重解決的情況下，實在是迫切而謹慎jangreumul盛讚batjiman評級早充其量10％。 “被告的chigoneun是緩慢的，它被架設在家庭中的代碼，並熟悉的情感設置戲劇呼吸更加合理調配jangreumul廣大市民。儘管主角是檢察官，但由於憤怒的癲癇發作和發燒，他已經發脾氣。換句話說，儘管是甘藷，但它並不成功，但它成功了，因為它是一個可憐的甘藷。

'Rabbiang Rose'的Edith Piaf

当我听说爱人的死亡时......超现实主义长时间持续4分30秒

对于那些贫穷和不快乐的人

爱的伟大。

事实上，

一个人对情感和匮乏的痴迷

电影省略了大多数男性关系

成功排除偏见

敏感感

表达和姿势完美再现

Marion Cotillard的演技非常出色

伊迪丝皮亚芙今年去世了55年。仍然是佩尔rasye的墓地仍然琵雅芙的马鞍还没有结束的人脚在世界各地纪念他，自1977年以来一直得打到伊迪丝琵雅芙博物馆在法国巴黎开设了11位客人。分裂与琵雅芙几十年的友谊，让科克托，他的讣告是全方位艺人geodun一口气在短短几个小时内留下这样说。 “此前皮亚芙皮亚芙已经有了，皮亚芙不会后皮亚芙。”“不，璃园去奥布莱恩（没有，什么都没有）/非，JE氖Regrette璃园（不，我不后悔任何事情）/镍乐边曲“在m'a fait Ni le mal tout ca m'est bien egal。

影片的第一现场“芬妮粉红‘（导演多丽丝·多莉，1994年）开始，通过建立一个英雄’芝士“他叹了口气，”我似乎很难爱我。“重复的爱情和离别，同时满足了电影的主题曲刚刚与伊迪丝阿夫大使混合幻灭流向男子走了进来，“我不后悔任何事情，那是。即使是激烈的旋律，一个冷静的声音和一个熟悉的中年女人的旋律立即联系在一起。虽然时间不长48年的寿命不知道完全超出唱歌和爱，但因此谁吃亏各种不幸和痛苦三十个单打陷入孤独的沼泽皮亚芙的歌曲，它作为特拉帕尼的双轨故事。这首歌也是“盗梦空间”（导演克里斯托弗·诺兰，2010）也成为一个重要的信号，左梦操作只“湾”的同伴，可以说是出三倍的梦想同步的每个阶段的“踢”这首歌被用作信号。在独家皮亚芙语音的梦想成为现实，你可能会在选择键，足以听不到流下甚至一个梦，从在日常的冒险搭建桥梁回“济repars零（将重新从头开始），说：”这首歌说一首歌很难匹配。

这部电影是根据伊迪丝琵雅芙的“La比安卡玫瑰的传记“（由Olivier执导支出，2007）认为，与琵雅芙健康状况不佳的一切权力的干扰，在观众面前唱这首歌。公众是生病了，担心他的晚年看作一个漂亮的景象，虽然琵雅芙是叹服三年前宣布，双方在olraengpiah剧院，奥利维尔支出通过在电影的结尾yamalro他的生活重建其外观主任曲他是他的态度。电影和国内冠军的英文名称也是一首歌曲“香格里拉比安卡玫瑰（玫瑰人生）‘和’爱的歌“也被提及最多的一个很大的名称伊迪丝·琵雅芙，他的歌曲与穷人和不幸的人的整体悲哀安慰和希望，得到了法国的时代的热烈响应是战争和hwama iteotgie，它包含了爱的信息的伟大的恐怖耗尽之后。然而，众所周知，Piaf的隐私远非乐观。他是一名歌手，在某些方面获得了音乐天赋，并且比他的不快乐得到了更多的掌声和尊重。通常情况下，它也造成了一种同情的对比当代艺术家gyeotdeon风格华丽大气干燥bijjeok的程度145㎝体，质朴的黑色连衣裙，交叉项链外观小钥匙。其中一些歌曲都是这样一个概念或一个非打击，不知道如何像纤细的小麻雀皮亚芙是由装饰更能打动充满美丽的那悲伤，wooreong。

可以毫不夸张地说，他的不幸来自脐带。 “伊迪丝jiohbana可见翁“（真名）的杂技演员和街道的歌手之间出生在平头从幼年时就虚弱的身体，父母无力妥善照顾，但也遭受了极大的痛苦营养不良的盲目性和结膜炎的危机。他是工作在网的距离演唱光标度过他的童年在一妓院的祖母，奠定孩子满足的人。但是，当他为生活而唱歌时，孩子死于脑膜炎。

在那之后，死亡和事故跟着他吓人。皮亚芙遭受死亡的夜总会老板路易斯复制会烧掉街道haejun站在舞台上，马塞尔sereudang最喜爱的生活失去了他的生命在一次飞机失事中。皮亚芙遭遇车祸多次对他来说，在它的后果吗啡成瘾下降。他生活中不能没有爱，但很多男人和约会，他们结婚后，通常在使用金钱和重复琵雅芙的名气留下一个更大的冲突。

传记作家勒内·西尔万巴是伊迪丝琵雅芙的一生的四个字“我”的总结和“爱”，并描述他的传记专注于这些关键字。作为一名歌手，他从公众那里得到了很多的爱，但作为一个女人，他一般都不够爱。没有亲情缺失的最大悲剧与父母整个故障前的关系导致他是否会得拉“皮亚芙的根，他提出要坚持以人，马塞尔入替前相识和摄影师琵雅芙的愿望的人的关系的“叫，刘若英也”疯狂的浪漫主义的热情和渴望的人被吸引到最致命的自杀的阈值会不满意她的生活，“他说。皮亚芙的传记充满爱情故事，以及马塞尔sereudang上午，麻生翔，保罗·莫里斯，夏娃mongtang，乔治斯·莫斯塔基，包括名人和第一任丈夫维克托dwiko，第二个丈夫，西奥paniseu rangbu卡斯。

但比电影“香格里拉比安卡玫瑰”等一个人马塞尔sereudang关系的重点是Edith Piaf的生活，并没有像很多歌手为另一个人。这里有排除不必要的损害数据，并适用于经济的故事铺成，并保持在与书中西尔刘若英的可见听到资讯的距离也是10001个小部分不幸在受到欢迎。作为一名艺术家，Piaf完全敏感的源泉与爱情环境和自然环境密切相关。他的声音基本上是从爱的狂喜离别的痛苦，hemaemyeo光年的距离内响起了观众的心弦。奥利维尔花费董事令人印象深刻描绘成一个地方巨大的悲伤是思想马塞尔sereudang的递给他跳过很多男人十字绣他。

电影以有与开始种植以来的进步行为的故事sikimyeo交叉般的身影站在过去几年阶段的主轴绿色一阶的天歌手疾病过程中，处理是Edith Piaf的纽约bangmungi部分，马塞尔sereudang战斗孩子会议和爱情占据了很大的份量。神听到长收治sereudang的讣告从107分钟到管理政府的那一段时间140分钟需要大约四分30秒。 54分钟提前现场，了解到路易斯复制的死亡dwaeteuna枝条伸长类似的技术是在这个意义上重量仅约1分30秒小于铜也很简单。在另一方面，皮亚芙是出于确保遇到的悲惨看到从慢sereudang他们的幻想场景，并哭了一个超现实的投篮命中率只有呼唤舞台唱歌，可以说是“香格里拉比安卡玫瑰”的美丽。相机设置连接到卧室，走廊，厨房的巨大滑，客厅，舞台走在热闹的皮亚芙这一事件，并成为他的人生留下显着致命的创伤。在现场结束时，Piaf呼唤着爱的呼声，哀悼Cédar的死亡。给“中没有任何问题的天空，我们会永远在一起”的歌词和伤感的旋律，揭示了伟大和也很认真她心脏。随着除夕的日内mongtang谁已完成15分钟的“玫瑰人生”，他也是艺术的升华时间和sereudang。

'La Vie en Rose'是一个相对较好的介绍，帮助Piaf成为一名歌手。花费教练恩人路易复制geonjyeonaen他在大街上，情人诗人雷蒙德和描绘麻生太郎苛刻的教练，作曲家玛格丽特单“爱歌”，作曲的“手风琴演奏家米歇尔也艾梅乐”街还有Charles Dumont和Michelle Boccare之间的第一次会面。

重要的是，即使在她的死亡阴影深处，已经存在很长时间的朋友和工作人员也能保持周围环境。无论是友谊还是金钱，他们都希望Piaf再次唱歌，并且充满了希望。出于这个原因，“我不后悔任何事情“皮亚芙在最后一个新唱，可以说热切回应旁观者的意愿观众聚集在礼堂前，其中他的王位。

伊迪丝·皮亚芙在Marion Cotillard的画面上转世。他以惊人的声音再现了Piaf，从她的英雄声音到歌声，手势和弯曲的姿势。西尔刘若英是一间酒吧，皮亚芙了前所未有的香颂歌手的一个寒酸的样子，因为他不喜欢自己的身体强调，许多复杂的遭遇与男性关系带来负面转折。尽管它，而密集和化妆掩饰不了考特尼亚尔的美女，穿着稍纵即逝的优雅和美丽皮亚芙在屏幕重生更精准，满足当代迷们的需求称赞他